The video director is unknown, however it is rumoured to be Andy Soup. The lyrics as well have an allusion to the musical. The bridge melody of the song is a similar melody to the chorus of "My Favorite Things" from The Sound of Music. " Build God, Then We'll Talk" is the final song on Panic! at the Disco's debut album, A Fever You Can't Sweat Out. Numbered Honey, You Just Haven't Thought of It Yet" For more information, please go to www." Lying Is the Most Fun a Girl Can Have Without Taking Her Clothes Off"Ī Fever You Can't Sweat Out chronology " There's a Good Reason These Tables Are Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore and Australia. Blackmagic Design continues ground breaking innovations including 6G-SDI and 12G-SDI products and stereoscopic 3D and Ultra HD workflows. Blackmagic Design’s DeckLink capture cards launched a revolution in quality and affordability in post production, while the company’s Emmy™ award winning DaVinci color correction products have dominated the television and film industry since 1984. Product photos of URSA Mini Pro, Blackmagic Pocket Cinema Camera 4K, DaVinci Resolve Studio, Blackmagic RAW and all other Blackmagic Design products are available at About Blackmagic Designīlackmagic Design creates the world’s highest quality video editing products, digital film cameras, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and real time film scanners for the feature film, post production and television broadcast industries. “Being a fly on the wall and living in his world, in his element, at a Panic! show was just really cool.” “It was just incredible watching the fans interact with Beebo,” said Dermer. For him, the most fun was in directing a great music video with a great band, but also being able to do something unique with a puppet in a pure documentary format. Dermer attributes the success to a great song, a compelling character in Beebo, and of course, good looking imagery. The video, which dropped on March 18th, began trending quickly.
#Panic at the disco music video director pro
I try to give him the best images to work off of, so hearing his positive feedback on the Blackmagic RAW images that are produced with the URSA Mini Pro made me happy.” “With digital film, the color process is now a direct extension of cinematography, and having a true artist like Ryan, who is also tech savvy, is so important because he makes things happen that I didn't even know are possible. “The things Ryan is able to do in post is incredible,” said Kielar. Playback was smooth and compared to other similar codecs, I found it much more efficient.”ĭermer and Kielar enjoyed the process of color on the music video, both because of the quality of the images from the Blackmagic cameras as well as working with McNeal. Also, the efficiency of the codec seems to be the biggest deal to me. “Color space was great and it helped to have some access to camera raw settings for the session, both to make adjustments and to facilitate discussion between me and (Kielar). “Two things stood out to me right away,” said McNeal. In post production, colorist Ryan McNeal used DaVinci Resolve Studio to finish the project, and found the Blackmagic RAW format a great improvement over Cinema DNG. “Shooting at a concert space where at times it was very dark or very bright.the camera was able to hold it all together.” Using the file format allowed the crew to shoot longer without changes, a key element of shooting fast during a live event. “The dynamic range was incredible,” said Kielar. The team decided to shoot in Blackmagic RAW, and were happy with the results.
The camera team, led by cinematographer Wojciech Kielar, enjoyed the flexibility of the Blackmagic cameras. “Working with puppets is a special effect that most people forget is a special effect,” said Dermer. The production relied heavily on a documentary style, despite the added complexity of a live puppet in nearly every shot. “Having the Pocket 4K available for those incredible unexpected moments of spontaneity was key,” said Dermer. “For ‘Dancing’s Not A Crime’ we wanted to thrust Beebo into the real world, and what better place than a Panic! Show.” The team used the URSA Mini Pro for more rehearsed moments, and the Pocket Cinema Camera 4K for less planned shots. Urie developed the idea for the puppet and came up with the concept for the video, then contacted Director Brandon Dermer for execution. The video follows the puppet Beebo, a caricature of lead singer Brendon Urie that has already starred in other Panic! At the Disco videos, as he gains back stage access to a live concert, but misses his chance to interact with the band after partying too much.